I’m due to exhibit at the Mall Galleries in London in January 2015, exciting ! Happily, I will be showing the very small collection I took to New Designers, so no new work. A blessing, in one way, but creatively? Could have done with a project in the last couple of months – though I have been sampling to make a collection of scarves. So all is not lost
Hopes for the event ?
- Positive comments about my work and any constructive feedback
- A commission or two would be nice
- Time to go to the V&A (on my bucket list)
- Stay safe and do it all without flapping
I may add to the list as the weeks roll on, as ideas pop into my head
My lovely Wensleydale hand spun singles ! I bought tops from the Wensleydale Longwool Shop (spring 2014) at Wonder Wool in Wales. How strange the transaction took place in Wales, when both me and the Shop usually reside in the Yorkshire Dales !
I had been keeping the tops to one side for a demonstration project which I found I was unable to do. So I set too and got them spun up – what beautiful singles ! You can see that although the yarn has been washed and set, it still has the memory of wool curl. I used to keep Wensledale sheep a few years back, and they really do have the most lustrous fleece. And they are very pretty.
Moving on……….I made four pieces for my final woven collection, but I have by no means exhausted the design ideas I had, so I aim to carry on and make more, developing the palette and experimenting with finer and thicker yarns. The first will be a double cloth in a finer gauge and at a smaller scale. Something I could use as an upholstery fabric – maybe I will make another footstool?
I was at Farfield Mill today and couldn’t resist looking through the stock of singles yarns at Laura’s Loom. These are British wools and all sourced locally (north west). I had to buy some 🙂
I plumped for a mid grey an a lovely purple. Think they will work well together. Can’t wait to get started (though there is still the matter of my bloomin’ essay)
I’m sitting on the train, homeward bound – up north. Can’t be far now, grey skies and rain and I’m feeling quite chilly. I had a great time in London, exhibiting at New Designers was a really great experience, and I am amazed at how kind and generous people have been with their time, and compliments. If you talked to me in the last few days, thank you! Your validation of my work has been am enormous boost
Today I went to Brantwood on the eastern shore of Coniston Water in the Lake District. Miserable start to the day, however, unlike the usual kind of day in “the lakes” – it was dry, and sometimes sunny. The house looks huge and there are a number of other original buildings on site too. The stables have been converted to a tea room (though I think it is actually a restaurant), the house which had been built for and occupied by Ruskin’s “Man” is now a holiday let, and there are quirky loos in one of the outbuildings too.
I was amazed at the size of the house, and as I approached looked forward to a long, leisurely wander around the many rooms. However, the rooms occupied by Ruskin, which form the museum/gallery were few (though large): indeed the dining room, which he had added to the original property was very large and filled with natural light from large windows. The conservatory of its day I guess.
The image here, shows the house on approach, though only the rooms on the left side (the 2-storey part) are open to the public. Inevitably, there was a shop.
I only just remembered I entitled my post “Brantwood Bugs” 🙂 The gardens here are lovely and informal, They rise from the house upwards and eastwards, so there are terraced paths leading up up up then across and down. One path is named the Ziggy Zaggy path. They are indeed ziggy zaggy, though at the top of this path is a rather ugly section of ground which has been covered in raw fleece in many colours, spray painted with squiggles and some rather large ceramic, bright red lips are poking out of the soil. These pouting pots are rather sexy in a nasty (rather than clever) way, I do wish I had been able to find an interpretation board: most likely my imagination has got the better of me, and they are symbolic of something quaint and interesting to children. Don’t get me started on symbolism…..
the bugs…. click on the pictures to see them better
a bug – what is it ?
This was the start of Cushion 2. I had threaded up a warp with a tie-down (thicker, different colour, which would come into play on the front face of the cushion, however, I was delighted with the low relief texture it produced on what would be the “plain” weave. The yarn is one I spun myself from a blend of Merino tops – a joy to work with. I do love using random yarn, it excites me, I never know what to expect (except I know it will be lovely).
Front face of cushion
Moving on…………. I worked all of my covers in one piece, which meant comprehensively calculating shrinkage and the position of pattern in the length of fabric. This image shows the second phase of the weave: the front.
Reverse of cushion
And below, the completed cushion – but showing the reverse – I think it’s so pretty, in contrast to the bold geometry on the front
The Show is up, and my goodness, I am so pleased to have reached the end of the HNC, or at least the practice. I still have to submit my essay, oh wait! I still have to write my essay. I have one image here, but will take more photos on Thursday. If you are in the area in the next week, the Bradford School of Arts and Media Show opens to the public on Saturday. In the meantime, one of my student colleagues Ange has posted some photos on her blog if you’d like to take a look. OR look here – Kay has some more photos
In my little cubby
2 alternative weave structures, both using “tie-down” warp
The fabric for this was completed last week. It was the first of the Final Collection, as it was the largest cushion, and the weave would be hand-manipulated and therefore time-consuming. I thought it best to get the tough one out of the way 🙂
Here, I sampled a couple of alternative lift plans, the top section produces a flemish bond brickwork pattern, the one below, a block pattern.
This design developed from exploring images of crumbling render which exposed brickwork and the opposite, patched brickwork, added into or around concrete or a rendered wall.
I love it!
It’s a requirement of the course, to examine and review work done primarily to identify what went right/wrong, what could be done differently. I have considered this very carefully and I am completely happy with it. Though if pushed, I might say that I wished I had made the contour (where the clasped wefts join) a little curvier.
… Detail (clasped weft)
……and here is the detail. The textured yarn is my own hand-spun Merino, which I made for this project.
This photograph was taken whilst the cloth was on the loom whereas the one above was taken in daylight – which explains the difference in colour